Lauren Rosenthal

‘Watermarks’

9/19/16 – 10/14/16

 

Opening Reception

Friday September 23rd 2016.

6.00-8.00pm

SCCC Gallery ‘C’ building

1 College Hill Road.

Newton, NJ 07860.

BOUND, UNBOUND, REBOUND: A MANIFESTO

by Lauren Rosenthal

 

Bound-a-ry

The official line that divides one area of land from another

The point at which something ends or beyond which it becomes something else

 

Boundaries are not real; they are an invention of the psyche, which attempts to order and organize for safety and control. The division between land and sea is a fiction, for water is a continuum flowing beneath, over, and through the land as well as every living cell of the biota that exist within this system.

 

We imagine our skin as a boundary, a place where our insides are divided and protected from the outside world. However, our seemingly discrete bodies are actually in a constant state of negotiation with all that surrounds; we exchange air, fluids, nutrients, and toxins, integrating and expelling these substances over and over as long as we live.

 

We divide our societies with political boundaries. Countries, states, counties, cities, boroughs, and neighborhoods are an invention. The invisible lines that surround and contain many of these districts are arbitrary and meaningless. We actually live side by side by side by side, infinitely, across the globe. Inside of our imaginary borders, we separate ourselves even further along social lines of class, race, religion, gender, political affiliation, sexual preference, age, occupation, and many other classifications. These divisions, too, are fairly superficial. We are all human beings trying to survive. It might be possible for us to recognize our uniqueness and our connectedness simultaneously—a revolutionary thought.

 

As we “progress” as a culture, we become more compartmentalized, professionals specializing in more and more specific areas of inquiry. University departments become isolated from one another, and even within departments we make myriad distinctions. “Interdisciplinary” has become an aberration from the norm, though all education should function in this multiplicative way. Knowledge, which overlaps, builds, synthesizes, and expands, does not occur in a vacuum.

 

I am for an art that will erase, highlight, and rearrange boundaries in order to reorient, realign, reconnect, redistribute, and redefine relationships in the personal and political realms (which are actually one and the same). It is only an art that takes this task as its goal, which will release us from our bindings. It is only an artist who takes this task as his/her goal, who will be free.

Further information;

http://www.laurenrosenthalstudio.com/

Text by Kulvinder Kaur Dhew

Sussex Community College is delighted to announce an exhibition of work by Activist Artist, Lauren Rosenthal. In addition to presenting a suite of sculptures based on hydrological and topographical data, she will be creating site-specific drawings directly onto the walls of the gallery.

Lauren Rosenthal currently lives and works in Lambertville, New Jersey. She holds a BFA from Washington University in St. Louis and an MFA from the University of North Carolina, Chapel Hill, where she won several awards, including a Weiss Urban Livability Fellowship.

Selected recent exhibitions include: Keeping Watch on Water at UNC Charlotte’s Projective Eye Gallery, Possible Realities at Lafayette College’s Grossman Gallery, Pulpfiction: The Art of Paper at the Portsmouth Art & Cultural Center, and Lauren Rosenthal, Hand-Cut Paper at the Monmouth Museum in Lincroft, NJ. In addition, Rosenthal has presented her work at several conferences focused on topics as wide- ranging as geography, American studies and new media. Her work is featured in Rethinking the Power of Maps by Denis Wood (Guilford Press, 2010), The International Encyclopedia of Human Geography, edited by Rob Kitchin and Nigel Thrift (Elsevier, 2010), and Printmaking: A Complete Guide to Materials and Processes by Beth Grabowski and Bill Fick (Prentice Hall, 2009). Permanent collections include the Charlotte Museum of History, Sloane Art Library at the University of North Carolina, Agnes Scott College in Decatur, GA, and the Nurture Nature Center in Easton, PA.

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